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Few years ago we had a video message emphasizing absolutely fantastic by Julian Sanchez on the value of remix culture. The video is a key point that is often lost in these debates: the remix culture is often more about culture the remix, but the copyright author makes it difficult. She focused on a remix viral video that had a song group called Phoenix "Lisztomania", but only the video clips of people dancing in several films of John Hughes (mainly the classic scene in "The Breakfast Club"). It was pretty interesting, but what is even more interesting is how many others followed after

recreated video in its own image. Then, the groups met in different places natty (Brooklyn, San Francisco) and created their own videos recreate the dance moves of their own to go along with the new song. It was really interesting and showed how important and remixing fair use is culture, and how they could take something and do more with it.

Fast forward to today, and even though this video has been for years, Julien has found his original video was removed at a copyright. If you go now, you see this:

For what it's worth, it does not seem to be intended only for Sanchez. Looking around, it looks like a group dance videos "original" pack Lisztomania Hughes kid videos are all with the same message. From there, it seems that the publishing house, rather than the band or its label. Kobalt claimed to be a new type of publication, but it seems awfully old-school approach, killing a popular viral video - and twice with the video that Sanchez is almost certainly qualifies as fair use. It was not quite commercial uses only part of the song, including meaningful comments, does not limit the market for the song and was clearly not a replacement.

And yet, he disappeared. Worse, when Sanchez appealed the demolition, which was rejected, and there seems to be nothing Sanchez can do:



Note that this screen is not Kobalt, but Glassnote and SMEs (which I think is Sony Music). Glassnote is an independent label that released the song, but in partnership with Sony, which is responsible for the distribution.
is also strange that there seems to be no further appeal process. After all, YouTube last month said it had changed its appeals process to avoid such situations. The "old" model has the objective is to "reject" the call and there was no further action possible. The "new" situation that is supposed to require the applicant to file a DMCA notice, when the DMCA process takes over.
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